A classroom scene with students seated at desks, some taking notes, and a person in the foreground filming with a professional camera, while another person operates a boom microphone overhead.

Lights. Camera. Purpose.

A first-of-its-kind afterschool program where young actors and filmmakers craft impactful stories together — from blank page to premiere night.

WAYFARER FILM ACADEMY X ACTORS TRAINING CENTER

Three students in a classroom examine a camera mounted on a tripod, with a large world map on the wall behind them and various posters and artwork.

The Big IDEA

Every story carries a point of view. It reflects values, and it has the power to change how someone thinks, feels, or connects. That's the idea Wayfarer Film Academy builds on — and it's why our students don't just learn to run a camera or land a scene. They learn to tell a story that matters, and to take real responsibility for what they put into the world.

They don't do it alone. From week one, WFA's young filmmakers and ATC's young actors work as one ensemble — a real cast and crew, not two separate classes sharing a room. The filmmakers shape the visual world: shot lists, camera, lighting, editing. The actors shape the human one: character, performance, the choices that make a scene believable. Every finished film belongs to both.

What Your Student Becomes

Who am I, and what stories do I want to tell?

That's the question every student sits with for the whole semester. It's not rhetorical — it's the core question of the curriculum. By Showcase night, they'll have a real answer: a finished film, built start to finish, that says something true about how they see the world.

We call this Studio I: Finding Your Voice. Your student won't just come home knowing more about cameras or scripts. They'll come home able to say, with evidence: I am a storyteller.

Close-up of a film clapboard with colorful stripes on the edge and partially visible text for scene, take, and other film production information.
A young boy with brown hair sitting on a wooden chair indoors, wearing a blue and black jacket, holding and looking at a sheet of paper

HOW WE RUN

A diverse group of people seated at a long table, attentively listening during a presentation or lecture in a modern conference room with gray acoustic panels on the walls and a whiteboard in the background.

Every session runs on the same rhythm, so students always know what's coming — and instructors can build real skill over sixteen weeks instead of just filling time:

  • Check-In — students settle in together and name the energy in the room

  • Creative Warm-Up — a short acting, writing, or improv exercise to get bodies and imaginations moving

  • Story Circle & Studio Lab — the day's core concept is introduced through discussion, clips, or guided conversation, then put into practice: writing, rehearsing, revising, pitching, filming, or editing

  • Consultation & Feedback — students give and receive honest, structured critique using shared norms

  • Creative Reflection Journal — students name what shifted and what they're beginning to understand about themselves as storytellers

Schedule

FALL 2026

Studio I: Finding Your Voice | $2,000*

  • September 14, 2026 – January 11, 2027

  • Mondays & Wednesdays, 6:00–8:00 PM

  • Actors Training Center, 1159 Wilmette Ave, Wilmette, IL 60091

  • Students ages 14–18 (grades 9–12).

  • No prior acting or filmmaking experience required — Unit 1 is built to bring every student up to a shared starting point.

* Payment plans are available upon request. Send an email to programs@actorstrainingcenter.com to learn more.

Program overview

Meet THE Instructors

Black and white portrait of a woman with wavy hair, smiling gently at the camera.
A smiling man wearing glasses and headphones around his neck, outdoors with trees in the background.

Carmella Riley

Carmella Riley is an actor and teaching artist with credits including Modern Family and Brooklyn Nine-Nine. She also leads ATC's On-Camera division.

Scott Dummler

Scott Dummler is an Emmy-nominated editor, producer, and director with more than 20 years of experience and work appearing on PBS, Travel Channel, History Channel, Turner Classic Movies, and more.

A young man in a light blue hoodie sitting on a beige sofa with a woman with glasses, blonde hair tied in a bun, and a dark jacket, engaging in conversation. A person in the foreground is filming or taking a photo of them with a camera, and large framed artwork hangs on the wall behind.

What STUDENTS WILL CREATE TOGETHER

In Studio I, every production team completes one real short film, not a demo reel or an exercise — built with limits tight enough that a first-time team can finish it well:

  • A 3–5 minute narrative film, start to finish, with titles and credits

  • One central character facing one clear choice, discovery, or change

  • No more than three speaking roles, and one or two locations

  • A complete story: clear beginning, middle, and end

The Showcase

A Real Premiere, With a Real Audience

At the end of the program, every team's finished film screens for family and friends at a public Story Showcase — a genuine premiere, with reflection and celebration built in, not a classroom presentation.

What Your Student Walks Away With

Beyond the film itself, every student leaves with a real archive of the semester — not a grade, but a record of what they made, who they became, and what they built with their team:

The Creative Portfolio

  • Answers: What did I make?

  • Includes: Pitch, screenplay, lookbook, shot list, the finished film, artist statement

The Growth Portfolio

  • Answers: Who am I becoming?

  • Includes: Journal excerpts, self-assessment, peer & instructor feedback, a letter to their future self

Ensemble Portfolio

  • Answers: What did we build together?

  • Includes: Team agreement, group pitch, behind-the-scenes documentation, group reflection

Frequently Asked Questions

Ready to roll the cameras?

Registration and payment all happen on ATC's site — clicking below will take you there.